All of Radiohead’s OK Computer. At once. Together. On top. Overlaid.

Overall I think it works pretty well and manages to capture the listener alienation that the album was originally searching for – and the way the other tracks fade out just in time for ‘Paranoid Android’s sarcastic refrain of ‘God loves his children… yeah‘ is either very good luck or very good planning.

It also makes me wonder what a Radiohead album that fully embraced Drone would sound like.